Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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STROZZI, Bernardo
Prophet Elijah and the Widow of Sarepta er

ID: 09176

STROZZI, Bernardo Prophet Elijah and the Widow of Sarepta er
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STROZZI, Bernardo Prophet Elijah and the Widow of Sarepta er


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STROZZI, Bernardo

Italian Baroque Era Painter, 1581-ca.1644  Related Paintings of STROZZI, Bernardo :. | Allegory of Arts | The Charity of St Lawrence rt | St Augustine Washing the Feet of Christ fg | Tribute Money er | Joseph Telling his Dreams t |
Related Artists:
Karl Bodmer
Swiss Painter, 1809-1893,Swiss painter and graphic artist, active in the USA and France. His earliest exposure to art probably came from his uncle, the landscape painter and engraver Johann Jakob Meyer (1787-1858). When he was 22, Bodmer moved to Paris, where he studied art under Sebastien Cornu. In Paris he met his future patron, Prince Maximilian of Wied-Neuwied, who was planning an ambitious scientific expedition to North America. Bodmer was engaged to accompany the expedition and to provide sketches of the American wilderness. After touring the East Coast, the party made their way westward via the Ohio and Mississippi rivers to St Louis, MO, and in 1833 travelled up the Missouri River into country scarcely inhabited by white men. On the journey north to Ft MacKenzie, WY, Bodmer recorded the landscape and the groups of Indians they encountered. Having wintered in Ft Clark, ND, they returned to New York and then Europe in 1834.
ALBEREGNO Jacobello
Italian painter, Venetian school (died before1397 in Venice)
Wolfgang Heimbach
c.1600/1615-after 1678, German painter. The son of a bookkeeper at the corn exchange, he was known because of a disability as 'the Ovelg?nne mute'. An aristocratic sponsor, probably Graf Anton G?nther (1603-67) of Oldenburg, sent him to train in the Netherlands: stylistic considerations would suggest that this was in the 1630s. The Evening Scene (1637; ex-art market, Berlin; G?ttsche, no. 8) shows him adapting the style of Caravaggio as practised in Utrecht to the kind of social gathering depicted by Dirck Hals or Anthonie Palamedesz. He uses an artificial light source to exaggerate the modelling of the figures and the space. This characteristic of his art also shows in the Evening Banquet of 1640






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